Again, the curve works in the same manner as the Hue vs. Saturation curve the best curve for bringing an element in the image to life. Hue curve is arguably more powerful in regards to creative input, I find the Hue vs. Saturation curve allows you to change the saturation of any hue selectively. Of course, you can get the same result using the qualification key. Hue curve and the qualification key, you will see a more significant result using the curve. This curve is great for smaller elements that need a subtle tweak, and you will find it’s much easier to get a better result than by using a qualification key, which can often be noisy. Now, within seconds, I can shift the yellow jacket to a new hue. When comparing the control points, you’ll see that when selecting the hue from the viewer itself, the control points on the curve become more defined. Hue, hover over the yellow jacket, and left-click. This will then create a more defined curve point for precise manipulation.įor example, if I’ve received instruction that the actor actually had a pink jacket on in the scene, and I need to correct it in the before shot, I’ll change the curves to Hue vs. A better way of using the curves is to hover over the pixel range in the viewer, and left-click with the qualifier. This method is ok for when the hue change is a very broad adjustment. In example image below, I’ve clicked the cyan icon, and it’s created a broad cyan control point on the curve, and by moving it up or down, the sea changes hue. You can select the hue icons below the curve, which will create curve points at the corresponding hue position in the curve panel. There are a few ways you can work with these curves. Hue curve changes the selected hue to any other hue. (If you’re unsure how to find the different curves tools, you simply open the drop-down menu next to “custom.”) Let’s have a look at what the different operations will do. In fact, with curves, especially the HSL curves, you will find a wholly new and advantageous set of tools. However, this is not to say that we should dismiss curves. Of course, there’s no denying that the color wheels are the primary grading foundation in Resolve. I was excited to finally leave curves behind and jump into the color wheels, where the professionals seemingly spent all their time. Color panels and Lumetri came just after I had left the platform to become versed in DaVinci Resolve. Unless you had a third-party plug-in, RGB curves were the “advanced” method of color grading in After Effects around 2006-2007. Color wheels are certainly the primary grading tool in DaVinci Resolve, but that doesn’t mean you should ignore curves altogether.Īs an old school After Effects user, the RGB curves was my initial introduction to and primary method of color grading.
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